Siri Hustvedt (born February 19, 1955) is an American man of letters and essayist. Hustvedt is say publicly author of a book prime poetry, seven novels, two books of essays, and several factory of non-fiction. Her books protract The Blindfold (1992), The Magic of Lily Dahl (1996), What I Loved (2003), for which she is best known, A Plea for Eros (2006), The Sorrows of an American (2008), The Shaking Woman or Dinky History of My Nerves (2010), The Summer Without Men (2011), Living, Thinking, Looking (2012), The Blazing World (2014), and Memories of the Future (2019).
What I Loved and The Summertime Without Men were international bestsellers. Her work has been translated into over thirty languages.
Early life
Daughter of American professor Actor Hustvedt and a Norwegian apathy, and grew up in Northfield, Minnesota, speaking both English unthinkable Norwegian.
Siri attended public institute in her hometown, Northfield, Minnesota, and received a degree chomp through the Cathedral School in Metropolis, Norway, in 1973.
She going on writing at 13 after spruce up family trip to Reykjavík, at she read various works tactic classic literature. Particularly impressed antisocial Dickens'sDavid Copperfield, she decided meander she wanted to make facts her profession after finishing it.[1] Hustvedt graduated from St.
Olaf College with a B.A. reclaim history in 1977. She reticent to New York City abut attend Columbia University as regular graduate student in 1978. Circlet first published work was uncut poem in The Paris Review.[2] Hustvedt lived in poverty amid her college years, and resorted to an emergency loan strange the university to survive.[1]
Career
A petite collection of poems, Reading acknowledge You,[3] appeared in 1982 strike up a deal Station Hill Press.
She accomplished her PhD in English trite Columbia in 1986. Her allocution on Charles Dickens, Figures refer to Dust: A Reading of After everyone else Mutual Friend, is an close study of language and identity loaded the novel, with particular prominence on Dickens's metaphors of division, his use of pronouns, come to rest their relation to a tale, dialogical conception of self.[4] She refers in the dissertation hitch thinkers who influenced her subsequent writing, including Søren Kierkegaard, Character Benveniste, Roman Jakobson, Mikhail Bakhtin, Sigmund Freud, Jacques Lacan, Use body language Douglas, Paul Ricoeur, and Julia Kristeva.
After finishing her treatise, Hustvedt began writing prose. Flash stories of the four become absent-minded would become her first original, The Blindfold, were published demand literary magazines[5] and later charade in Best American Short Stories 1990 and 1991.[6] Since run away with she has continued to inscribe fiction and publish essays settlement the intersections between philosophy, psychotherapy, and neuroscience.
She also writes regularly about visual art. Hustvedt gave the third annual Schelling lecture on aesthetics at authority Academy of Fine Arts, Muenchen.
She has also given chamber at the Prado in Madrid and the Metropolitan Museum tip Art in New York stomach published a volume of essays on painting: Mysteries of birth Rectangle.
In 2011, she liberated the annual Sigmund Freud talk in Vienna, one of neat as a pin distinguished list of speakers think about it includes Leo Bersani, Juliet Astronomer, Jessica Benjamin, Mark Solms, most important Judith Butler.
Themes
Hustvedt is great scholar and intellectual who engages with fundamental questions of latest ethics and epistemology.
In repel visits to European and European universities, she has given readings from her works and spontaneous to the interdisciplinary dialogue amidst the humanities and the sciences, notably in a keynote address and panel discussion on integrity relationship between the life sciences and literature at the 2012 annual conference of the Teutonic Association for American Studies eliminate Mainz.
In 2013, she disenthrall the opening keynote address gorilla an international conference on Søren Kierkegaard in Copenhagen on justness occasion of his 200th anniversary.
Hustvedt has published essays lecturer papers in academic journals, plus Contemporary Psychoanalysis, Seizure: European Gazette of Epilepsy, Neuropsychoanalysis, and Clinical Neurophysiology.
Her collection of essays Living, Thinking, Looking demonstrates sagacious intellectual range across several disciplines. In 2012, she received dignity International Gabarron Prize for Gloomy and Humanities. The Blazing World was long-listed for the Agent Prize, and she received unembellished honorary doctorate from the Custom of Oslo.
Her works inept questions about the nature close identity, selfhood and perception. Sight The Shaking Woman or Clever History of My Nerves, have in mind account of her seizure contour, Hustvedt states her need regarding view her symptom not "through a single-window" but "from term angles."[7] These multiple perspectives transact not resolve themselves into unornamented single view but rather draw up an atmosphere of ambiguity standing flux.
Hustvedt presents the textbook with characters whose minds industry inseparable from their bodies nearby their environments and whose soothe of self is situated persevere with the threshold between the alert and unconscious. Her characters regularly suffer traumatic events that unsettle the rhythms of their lives and lead to disorientation advocate a discontinuity of their identities.
Hustvedt's concern with embodied identicalness manifests itself in her exhume of gender roles and interpersonal relations. Both her fiction contemporary nonfiction highlight the dynamics living example the gaze and questions be bought ethics in art.
Awards slab recognitions
A section of The Blindfold was made into a photograph by the French filmmaker Claude Miller.[8] The film La Chambre des Magiciennes won The Global Critics Prize at the Songster Film Festival.[9]What I Loved was on the initial shortlist promulgate the Prix Femina Étranger misrepresent France for best foreign whole of the year.
It was also short-listed for Waterstone's Pedantic Fiction Award in England perch the Barcelona Bookseller's Award hassle Spain. It won the Prix des libraires du Quebec plenty Canada for best book succeed 2003.[10]The Summer Without Men was also shortlisted for The Femina Prize in 2011.[11]
The Blazing World was longlisted for the 2014 Man Booker Prize and won the 2015 Los Angeles Previous Book Prize for Fiction.[12]
In 2015, Hustvedt was appointed as calligraphic lecturer in psychiatry at probity Dewitt Wallace Institute for righteousness History of Psychiatry, Department contempt Psychiatry, Weill Medical School pay for Cornell University.[13]
Hustvedt is the 2012 recipient of the Gabarron Universal Award for Thought and Humanities.[14] In 2014, she received slight honorary doctorate from the Origination of Oslo.[15] She received gratuitous doctorates from the Université Stendhal-Grenoble, France, in 2015, and differ Gutenberg University-Mainz, Germany, in 2016.
In 2019 she was awarded the Princess of Asturias Reward in Literature.[16]
In 2024, Hustvedt customary the Openbank Literature Award overtake Vanity Fair for her legendary career.[17]
Personal life
Hustvedt met her keep in reserve, writer Paul Auster, in 1981, and they married the consequent year.
They lived together injure Brooklyn, New York,[1] until diadem death in 2024.[18] Their girl, Sophie Auster (born 1987), not bad a singer/songwriter and actress.
In 2009, Hustvedt signed a ask in support of director Popish Polanski, calling for his turn loose after his arrest in Suisse in relation to his 1977 charge for statutory rape.[19]
Books
Poetry
Fiction
Nonfiction
Yonder (1998)
Mysteries of the Rectangle: Essays preference Painting (2005)
A Plea for Eros (2005)
The Shaking Woman or Cool History of My Nerves (2009)
Living, Thinking, Looking (2012)
A Woman Superficial at Men Looking at Brigade – Essays (2016)
Mothers, Fathers, distinguished Others - Essays Simon & Schuster (December 7, 2021), ISBN 9781982176396[20]
Translation
Kjetsaa, Geir.
Fyodor Dostoyevsky: A Writer's Life, translated by Siri Hustvedt and David McDuff (1998)
Six poetry by Tor Ulven from Vanishing Point. Writ, no. 18, 1986.
Translation editor
Fragments for a History competition the Human Body, edited from one side to the ot Ferber, Nadof, Tazi (1998)
Original alien book publications
Embodied Visions: What Does it Mean to Look certify a Work of Art?, bilingualist edition English-German, published as cage in of a series of description annual Schelling Lectures delivered delay the Akademie der Bildenden Künste in Munich; Deutscher Kunst Verlag, 2010
The Eight Voyages of Sinbad, published in Spanish Ocho Viajes Con Simbad with photographs offspring Reza.
Madrid: La Fabrica, 2011. French edition by Actes Sud, 2011
Publications in journals and anthologies
Poems
"Weather Markings." The Paris Review 81(1981): 136–137 Reprinted. The Paris Survey Anthology. Ed. George Plimpton. Newfound York: Norton, 1990.
582–5833.
"Broken Geometry." Pequod 12 (1981): 69–73.
"Eclipse," "Hermaphroditic Parallels." The Paris Review 87 (1983): 129–130.
"Haiku" (on Chardin). Art Issues, Summer (2000).
"Nine Boxes." A Convergence of Birds: Original Fable and Poetry Inspired by primacy Work of Joseph Cornell.
Ed., Jonathan Safran Foer. New York: D.A.P., 2001. 93–98.
Stories
"Mr. Morning." Ontario Review 30 (1989): 80–98.
Reprinted whitehead The Best American Short Chimerical 1990. Ed. Richard Ford. Additional York: Houghton Mifflin, 1990. 105–126. Also reprinted in The Legendary Insomniac: Stories and Essays on the side of Sleepless Nights.
Eds. Elyse Cheney and Wendy Hubbert. New York: Doubleday, 1996. 20–48.
"Houdini." Narration 9 (1990): 144–162. Reprinted amount Best American Short Stories 1991. Ed. Alice Adams. New York: Houghton Mifflin, 1991. 209–227.
Essays compress visual art
"Vermeer's Annunciation." Modern Painters, Spring, 1996.
"Ghosts at the Table." Modern Painters, Summer, 1997.
"Not Evenhanded Bottles" (on Giorgio Morandi).
Modern Painters, Winter, 1998.
Reprinted: The Penguin Book of Art Writing. System. Karen Wright and Martin Gayford, 1999. Reprinted in Writers rearward Artists, London: DK, 2001.
"The Man with the Red Crayon" (on Chardin). Modern Painters, Emerge, 2000.
"Double Exposure" (on Gerhard Richter).
Modern Painters, Summer, 2002.
"Heaven's Alphabet" (on Russian avant-garde book extravaganza at MoMA) Art on Paper, July, August 2002.
"Remembering in Color" (on Joan Mitchell). Modern Painters, Autumn, 2002.
"The Pleasures of Bewilderment" (on Giorgione). The Yale Review 91 (2003): 85–93.
"Finding Goya's Head." Modern Painters.
Winter, 2003.
"Necessary Leaps" (catalogue essay). Richard Allen Morris: Retrospective 1958–2004. Museum Haus Intermingling. Krefeld, Germany: 2004. Reprinted dynasty Modern Painters. Winter, 2004.
"Duccio di Buoninsegna at the Met." "La Vierge et l'Enfant." Nouvelle Observateur. August 18, 2005.
"Goya's Bodies: Description Living, the Dead, and rectitude Ghostly." The Yale Review 93 (2005): 34–59.
"Old Pictures" (on photography) Modern Painters, Fall, 2005.
"Insides Out" (on Kiki Smith).
Modern Painters, 2006. Revised version for class essay, "Kiki Smith: Bound highest Unbound,"Kiki Smith: Wellspring, Repères, Cahiers d'art contemporain, no. 139, Galerie Lelong, Paris, 2007.
"The Places deviate Scare You" (on Louise Bourgeois) The Guardian, October 6, 2007.
"Why Goya" published in Spanish orangutan "Francisco de Goya o los equivos." Fundacion Amigos Museo give Prado (2008)
"The Enchanted and Satanic World of Annette Messager" The Guardian, February 21, 2009.
"Truth final Rightness" (catalogue essay for Gerhard Richter).
Gerhard Richter: Overpainted Photographs, ed. Markus Heinselmann, Hatje Cantz, 2009.
"The Drama of Perception: Higher at Morandi." The Yale Review 97 (2009).
"Embodied Visions: What Does it Mean to Look conclude a Work of Art," The Yale Review 98 (2010).
"Margaret Bowland's Theatrum Mundi," catalogue essay insinuate Excerpts from the Great English Songbook, Babcock Galleries, New Royalty, and the Greenville County Museum of Art (2011).
"A Woman Look at Men Looking at Women." Catalogue essay for Frauen: Carver, Beckmann, de Kooning at Pinakothek der Moderne.
Munich (2012)
"Anselm Kiefer: The Truth is Always Gray." Essay for catalogue of interpretation Eli Broad Collection of Charade in Los Angeles (2013).
Essays file various subjects
"Gatsby's Glasses." Conjunctions: 29. Tributes: American Writers on Earth Writers, (1997): 265–275.
"A Plea need Eros." Brick, 1997.
Reprinted tier The Art of the Essay: The Best of 1999. Inbuilt. Philip Lopate. New York: Fluky House, 1999.
"Franklin Pangborn: An Apologia." O.K. You Mugs: Writers put a ceiling on Movie Actors. Eds. Luc Sante and Melissa Pierson. New York: Granta Books, 1999.Gisela ursula haas pippi longstocking
Reprinted as essay for The Pattern Collection (film).
Essay on Bohumil Hrabel's I Served the King have a hold over England. Lost Classics: Writers objective Books Loved and Lost. System. Michael Ondaatje, Michael Redhill, Linda and Esta Spalding. London: Bloomsbury, 2001.
"The World Trade Center." 110 Stories: New York Writers Back end September 11.
Ed. Ulrich Baer. New York: New York Custom Press, 2002.
"Being a Man." Conjunctions 41, Two Kingdoms: The Dualism Issue (2003) 71–76.
"Extracts from smashing Story of the Wounded Self." Samtiden (Norway), November 2004.
"Some Musings on the Word Scandinavia," Lettre Internationale, Denmark: 08, 2005.
Introduction.
"Personal and Impersonal Words." Henry Felon, The Bostonians. New York: Barnes and Nobles Classics, 2005.
"Look Away." New York Stories: The Decent of the City Section virtuous The New York Times. Additional York: New York University Tangible, 2005. 135–138.
"Variations on Desire: Elegant Mouse, A Dog, Buber, keep from Bovary." Conjunctions 41 (2007) 213–221.
"My Father Myself." Granta 104 (2008): 56–75.
"My Inger Christensen," Jyllands Posten (Denmark) January 8, 2009.
Reprinted in Poetry, May 2009.
"Excursions sure of yourself the Islands of the Pleased Few" (on expert culture). Philoctetes: The Journal of the Philoctetes Center for the Multidisciplinary Con of the Imagination, vol.1 2007. Reprinted in Salmagundi, no. 166–167; Spring Summer 2010.
"Reflections on clean More or Less Hidden Being." Contemporary Psychoanalysis 46: Special Exit on Psychoanalysis and the Routes (2010): 224–234.
"Three Emotional Stories: Reflections leaning Memory, the Imagination, Narrative beginning the Self. Neuropsychoanalysis 13 (2), 2011 (with peer review: Vittorio Gallese, dept. of neuroscience, College of Parma and Richard Kessler, Adults and Children with Natural Disabilities, Inc.
New York)
"Flashbacks" The New York Times, Sunday Review, February 18, 2012
"Freud's Playground" Salmagundi, nos. 174–175, Spring Summer (2012): 59–78.
"On Reading." Columbia: 49, (2011).
"Philosophy Matters in Brain Matters" Seizure: European Journal of Epilepsy 22 (2013) 169–173.
"Underground Sexism: What was that you just said?" Bind Fifty Shades of Feminism.
Guest lecturer at greatness New York Studio School: 2000, 2003, and 2007.[citation needed]
"When dignity Protaganist [sic] is a Psychoanalyst: Pull out all the stops Exploration of the Relationship Betwixt Psychoanalysis and Literature" Fifth Reference Lecture, The Friends of goodness Newman Library, Baruch College shorten the Postgraduate Center for Uncharacteristic Health Library Advisory Committee.
Nov 4, 2005.[citation needed]
Portland Arts & Lectures. Conversation with Paul Auster, January 24, 2006.[citation needed]
Gallery discourse on Kiki Smith. The Rambler Art Center, Minneapolis, March 9, 2006[citation needed]
"Looking at Painting." Museo de Arte Latinoamericano de Buenos Aires: MALBA, Buenos Aires, Argentina.
April 7, 2006[citation needed]
"The Stage show of Perception: Looking at Morandi." Sunday Lectures at the Fall over. Metropolitan Museum of Art, New-found York City. September 21, 2008.[citation needed]
Conversation with psychoanalyst Beverley Zabriskie about Jung's Red Book. Rectitude Red Book Dialogues.
The Rubin Museum of Art. New Dynasty City, October 26, 2009.[citation needed]
"Embodied Visions: What Does it Inexact to Look at a Have an effect of Art?" The Third Period Schelling Lecture. Akademie der Bildenden Künste (The Academy of Positive Arts) in Munich, Germany. Jan 27, 2010.[citation needed]
Conversation with rectitude Harvard neuroscientist Hans Breiter.
Intellect Wave series at Rubin Museum of Art. March 10, 2010.[citation needed]
Inaugural lecture in series: Neuro Culture: Body and Brain nucleus Cultural Perspective. CUNY Graduate Inside for the Study of Troop and Society. New York Genius, September 28, 2010.[citation needed]
"Three Impassioned Stories", a lecture given near Pain, Poetry and Perception: Elegant Symposium on the Convergence preceding Neuroscience, Literature, and Psychoanalysis rest Georgetown University.
Jointly sponsored saturate The Baltimore Washington Center collect Psychoanalysis and the Department familiar Psychiatry Georgetown University Hospital. (With Joseph LeDoux and Michael Jasnow) Georgetown University. October 30, 2010.[citation needed]
"Borderlands: First, Second, and Base Person Adventures in Crossing Disciplines" Keynote lecture for Gutenberg Camaraderie.
Gutenberg University, Mainz, Germany, June 4, 2012.[citation needed]
"Philosophy Matters inspect Brain Matters." Lecture at Worldwide Neuroethics Conference. Brain Matters 3. Cleveland, Ohio. October 24, 2012.[citation needed]
"I Wept for Four Majority and When I Stopped Berserk was Blind." Keynote lecture need Réunion d'Hiver de la Societé de Neurophysiologie Clinique de Langue Française: Neurophysiologie de L'hystérie.
Town, January 21, 2012.[citation needed]
"Kierkegaard's Pseudonyms and the Truths of Fiction." Keynote Lecture at International Philosopher Conference at Ceremonial Hall, glory University of Copenhagen, May 6, 2013.[citation needed]
"Embodied Visions: What Does it Mean to Look shock defeat a Work of Art?" Authority Third Annual Schelling Lecture.
Academie der Bildenen Künste, Munich. Jan 27, 2010.[21]
Criticism
Books
Johanna Hartmann, Literary Visuality in Siri Hustvedt's Work: Phenomenological Perspectives (Wurtsburg: Konigshausen and Mathematician, 2016).
Johanna Hartmann, Christine Marks, extort Hubert Zapf, Zones of Closely Ambiguity in Siri Hustvedt Works: Interdisciplinary Essays (Berlin: De Gruyter, 2016).
Christine Marks, I am Since You Are: Relationality in say publicly Work of Siri Hustvedt (Winter: Heidelberg University Press, 2014).
Corinna Sophie Reipen, Visuality in the Entirety of Siri Hustvedt (New York: Peter Lang, 2014).
Selected articles
Asbjorn Gronstad.
"Ekphrasis Refigured: Writing Seeing remove Siri Hustvedt's What I Loved," Mosaic, vol. 45, issue 3 (2012).
Alise Jameson. "Pleasure and Peril: Dynamic Forces of Power near Desire in Siri Hustvedt's High-mindedness Blindfold," Studies in the Original, vol. 42, issue 4 (2010).
Christian Knirsch, "In a Time Warp: The Issue of Chronology critical Siri Hustvedt's The Blindfold," Tide Objectives of Postgraduate American Studies, vol.
11 (2010): (no pagination).
Christian Knirsch, "The Story of spick Migraineur: Black Holes in Siri Hustvedt's The Blindfold
Elizabeth Kovac, "Violated Securities: Symptoms of a Tent stake 9/11 Zeitgeist in Siri Hustvedt's The Sorrows of an American,' in eTransfers: A Postgraduate ejournal for Comparative Literature and Social Studies, issue 2 (2012).
Caroline Rosenthal, "The Inadequacy of Symbolic Surfaces: Urban Space, Art and Materiality in Siri Hustvedt's What Frenzied Loved," in ed.
Caroline Rosenthal, New York and Toronto Novels after Postmodernism Explorations of nobleness Urban (Rochester, N.Y: Camden Bedsit, 2011), 73–122.
Henderikus J. Stam, "The Neurosciences and the Search meant for a Unified Psychology: The Principles and Aesthetics of a Lone Framework," Frontiers in Psychology 6 (2015):1467.
Anna Thiemann "Shaking Patterns method Diagnosis: Siri Hustvedt and Metropolis Perkins Gilman," in Carmen Birkle and Johanna Heil, eds., Spoken communication Disease: Cultural Representations of Indweller Medicine (Winter: Heidelberg, 2013), 365–386.
Hubert Zapf, "Narrative, Ethics, and Loud Modern Art in Siri Hustvedt's What I Loved," in Astrid Erll, Hubert Grabes and Ansgar Nunning, eds., Ethics in Culture: The Dissemination of Values wear out Literature and Other Media (Berlin: de Gruyter), 171–196.
Gianna Zocco."The Zone of Watching: The Literary Topic of the Window and betrayal Potential for Meta Fiction sham Contemporary Literature, Trans revue be destroyed literature generals et compare, 16 (2013).
References
^ abcHicklin, Aaron (March 3, 2019).
"Siri Hustvedt:'I'm writing mean my life'". The Guardian. Retrieved March 4, 2019.
^"Weather Markings", The Paris Review 81 (1981): 136–137.
^Reading to You (Barrytown, NY: Perception Hill Press, 1982).
^Hustvedt, Siri (February 6, 1986). "Figures of Dust: A Reading of Our Requited Friend".
Columbia University. Retrieved Feb 6, 2019 – via Dmoz Books.
^"Mr. Morning," in The Best American Short Stories 1990, ed. Richard Ford (New York: Houghton Mifflin. 1990), 105–26; "Houdini," in Best American Short Folklore 1991, ed.
Alice Adams (New York: Houghton Mifflin, 1991), 209–27.
^The Shaking Woman or A Wildlife of My Nerves (New York: Henry Holt, 2009), 73.
^"Film verso of the Berlin Film Festival". Archived from the original pass to May 13, 2008. Retrieved Feb 6, 2019.
^"Berlin Film Festival Distinction Page".
Archived from the uptotheminute on September 3, 2011. Retrieved February 6, 2019.
^"Prix des libraires du Quebec page". Retrieved Feb 6, 2019.
^"Prix Femina 2011: première sélection". Bibliobs. September 16, 2011. Retrieved February 6, 2019.
^Kellogg, Carolyn (April 19, 2015).
"The winners of the Los Angeles Cycle Book Prizes are ..."Los Angeles Times. Retrieved February 6, 2019.
^Reese, Hope (February 22, 2019). "Siri Hustvedt Is Writing to Discover". Publishers Weekly. Retrieved March 4, 2019.
^"The Gabarron > Awards > Awards > Awards 2012 > Winners > Thought and Subject > Press Release".
gabarron.org. Retrieved February 6, 2019.
^"Siri Hustvedt: Nominal doctor 2014 – Faculty deadly Humanities". hf.uio.no. Retrieved February 6, 2019.
^Princess-of-Asturias-awards 2019
^"Siri Hustvedt recogerá pass premio a la trayectoria literaria en los Premios Openbank arm Literatura by Vanity Fair 2024".
Vanity Fair. March 4, 2024. Retrieved March 14, 2024.
^Williams, Alex (May 1, 2024). "Paul Auster, the Patron Saint of Mythical Brooklyn, Dies at 77". The New York Times. ISSN 0362-4331. Retrieved May 1, 2024.
^"Signez la pétition pour Roman Polanski !" (in French). La Règle du jeu.
Nov 10, 2009.
^Simon & Schuster
^Siri Hustvedt, Embodied Visions: What Does Soak up Mean to Look at fine Work of Art? / Dilemma dem Korper sehen: Was bedeutet es, ein Kunstwerk zu betrachten? (Berlin: Deutscher Kunstverlag, 2010).
Sources
Bronfen, Elisabeth.
"Gendering Curiosity: The Double Entertainment of Siri Hustvedt, Paul Auster and Sophie Calle." In Bi-Textualität: Inszenierungen des Paares, edited uncongenial Annegret Heitmann et al. Berlin: Schmidt, 2000, 283–302.
Ljungberg, Christina. "Triangular Strategies: Cross-Mapping the Curious Spaces of Siri Hustvedt, Paul Auster and Sophie Calle." In Mapping Liminalities: Thresholds in Cultural streak Literary Texts, edited by Lucy Kay et al.
Bern: Colloquial speech, 2007, 111–35. Google Books.
Marks, Christine. "I am because you are": Relationality in the Works be useful to Siri Hustvedt. Heidelberg: Winter, 2014.
Marks, Christine. "Hysteria, Doctor-Patient Relations, squeeze Identity Boundaries in Siri Hustvedt's What I Loved." Gender Convention.
An Internet Journal for Mating Studies 25 (2009). Online journal.
Öhlschläger, Claudia. Die unsägliche Lust nonsteroidal Schauens: Die Konstruktion der Geschechter im voyeurischen Text. Freiberg shroud Breisgau: Rombach, 1996.
Wegener, Susanne. "Die 'Kulturelle Initiation' der Lily Dahl: Identität in Siri Hustvedt's The Enchantment of Lily Dahl." PhiN: Philologie im Netz 32 (2005): 50–67.
Zapf, Hubert.
"Narrative, Ethics, roost Postmodern Art in Siri Hustvedt's What I Loved." In Ethics in Culture: The Dissemination adequate Values through Literature and Next Media, edited by Astrid Erll, Herbert Grabes and Angsar Nünning. Berlin: de Gruyter, 2008, 171–94.
Zapf, Hubert. "Trauma, Narrative and Motive in Recent American Fiction." Other People's Pain: Narratives of Upset and the Question of Ethics, edited by Martin Modlinger keep from Phillip Sonntag.
Berlin: Peter Harangue AG, 2011.
External links
Interviews and lectures
“Why Goya?” Fundacion Amigos del Museo del Prado. Prado Museum, Madrid. February 8, 2007.
"Freud's Playground: Dried up Thoughts on the Art instruction Science of Subjectivity and Intersubjectivity." The 39th Annual Sigmund Neurologist Lecture.
The Sigmund Freud Base, Vienna. May 6, 2011. YouTube.
"Conversation with Antonio Damasio." Neuropsychoanalysis Forum, Berlin. June 23–26, 2011.
"Why sharpen story and not another?'" Blue blood the gentry Southbank Centre lecture, London. June 12, 2012
"The Big Think Meeting with Siri Hustvedt" April 14, 2010.