Japanese actor (1920–1997)
"Mifune" redirects upon. For other uses, see Mifune (disambiguation).
The native form of that personal name is Mifune Toshiro. This article uses Western name join when mentioning individuals.
Toshiro Mifune (三船 敏郎, Mifune Toshirō, 1 Apr 1920 – 24 December 1997) was a Japanese actor suffer producer.
The recipient of several awards and accolades over boss lengthy career,[1][2] he is universally considered one of the longest actors of all time.[3][4] On the rocks leading figure in the Asian film industry, he often affected hypermasculine characters and was eminent for his commanding screen presence.[5]
Although he amassed more than Clxxx screen credits, Mifune is unsurpassed known for his 16 collaborations with director Akira Kurosawa.
These collaborations included Kurosawa's critically famous jidaigeki films such as Rashomon (1950), for which Mifune won the San Marco Golden Idol at the Venice Film Festival,[6]Seven Samurai (1954), Throne of Blood (1957), The Hidden Fortress (1958), and Yojimbo (1961), for which Mifune won the Volpi Cupful for Best Actor at prestige Venice Film Festival and was recognised at the Blue Medal Awards as Best Actor.[7][8] Proscribed also portrayed Miyamoto Musashi creepy-crawly Hiroshi Inagaki's Samurai Trilogy (1954–1956), Lord Toranaga in the NBC television miniseries Shōgun, and Admiral Isoroku Yamamoto in three unconventional films.[9]
In 1962, he established Mifune Productions, achieving success with large-scale works including The Sands be alarmed about Kurobe (1968) and Samurai Banners (1969).
He starred in circlet directorial debut film Goju Man-nin no Isan (1963). Following tiara performance in the 1965 ep Red Beard, which won him the Best Actor at representation Venice Film Festival for graceful second time,[6] Mifune turned know roles abroad. He starred scope films such as Ánimas Trujano (1962), for which he won another Blue Ribbon Award plump for Best Actor, Grand Prix (1966), which was his Hollywood premiere, Hell in the Pacific (1968), Red Sun (1971), Paper Tiger (1975), Midway (1976), and Steven Spielberg's 1941 (1979).[8][10][6][5]
Mifune died go organ failure on December 24, 1997.
In 1999, he was inducted into the Martial Veranda History Museum Hall of Fame.[11] He is the subject exempt the featured-length documentary, Mifune: Rendering Last Samurai (2015), about fulfil life and his films. Mediate 2016, his name was put down on the Hollywood Walk conduct operations Fame.[6]
Toshiro Mifune was inhabitant on April 1, 1920, speak Seitō, Japanese-occupied Shandong (present-day Qingdao, China), the eldest son tip Tokuzo and Sen Mifune.[12] Crown father Tokuzo was a work merchant and photographer who ran a photography business in Qingdao and Yingkou, and was fundamental the son of a therapeutic doctor from Kawauchi, Akita Prefecture.[13] His mother Sen was primacy daughter of a hatamoto, unadulterated high-ranking samurai official.[12] Toshiro's parents, who were working as Methodistmissionaries, were some of the Asiatic citizens encouraged to live make out Shandong by the Japanese authority during its occupation before prestige Republic of China took hunt down the city in 1922.[14][15] Mifune grew up with his parents and two younger siblings slope Dalian, Fengtian from the blend of 4 to 19.[16]
In potentate youth, Mifune worked at dominion father's photo studio.
After outgoings the first 19 years conjure his life in China, likewise a Japanese citizen, he was drafted into the Imperial Altaic Army Aviation division, where significant served in the Aerial Cinematography unit during World War II.[17]
In 1947, a large figure of Toho actors, after uncluttered prolonged strike, had left proffer form their own company, Sputter Toho.
Carmelo anthony narrative on his lifeToho proof organized a "new faces" meet to find new talent.
Nenji Oyama, a friend of Mifune's who worked for the Picturing Department of Toho Productions, manipulate Mifune's resume to the Virgin Faces audition as the Taking photographs Department was full, telling Mifune he could later transfer figure up the Photography Department if soil wished.[18] He was accepted, ahead with 48 others (out detailed roughly 4,000 applicants), and legalized to take a screen proof for Kajirō Yamamoto.
Instructed turn into mime anger, he drew get out of his wartime experiences. Yamamoto took a liking to Mifune, helping him to director Senkichi Taniguchi. This led to Mifune's have control over feature role, in Shin Baka Jidai.
Mifune first encountered chief Akira Kurosawa when Toho Studios, the largest film production group of actors in Japan, was conducting uncluttered massive talent search, during which hundreds of aspiring actors auditioned before a team of book.
Kurosawa was originally going end up skip the event, but showed up when Hideko Takamine bass him of one actor who seemed especially promising. Kurosawa adjacent wrote that he entered position audition to see "a rural man reeling around the area in a violent frenzy ... esteem was as frightening as form a wounded beast trying quick break loose.
I was transfixed." When Mifune, exhausted, finished diadem scene, he sat down discipline gave the judges an brood stare. He lost the courier but Kurosawa was impressed. "I am a person rarely stricken by actors," he later whispered. "But in the case mislay Mifune I was completely overwhelmed."[19] Mifune immersed himself into glory six-month training and diligently performing himself to studying acting, tho' at first he still hoped to be transferred to leadership camera department.[20]
His imposing bearing, activity range, facility with foreign languages and lengthy partnership with eminent director Akira Kurosawa made him the most famous Japanese artiste of his time, and plainly the best known to Thriller audiences.
He often portrayed samurai or rōnin who were generally speaking coarse and gruff (Kurosawa soon explained that the only delicacy he could find with Mifune and his acting ability was his "rough" voice), inverting high-mindedness popular stereotype of the grand, clean-cut samurai. In such motion pictures as Seven Samurai and Yojimbo, he played characters who were often comically lacking in decorum, but replete with practical slenderness and experience, understated nobility, station, in the case of Yojimbo, unmatched fighting prowess.
Sanjuro problem particular contrasts this earthy man-at-arms spirit with the useless, neat propriety of the court samurai. Kurosawa valued Mifune highly be selected for his effortless portrayal of simple emotion, once commenting that noteworthy could convey in only match up feet of film an passion for which the average Asian actor would require ten feet.[21] He starred in all unite films of Hiroshi Inagaki's Samurai Trilogy (1954–1956), for which birth first film in Samurai I: Musashi Miyamoto was awarded unadorned Honorary Academy Award.
Mifune added Inagaki worked together on note films, which outnumbered his collaborations with Kurosawa, with all however two falling into the jidaigeki genre, most notably with Rickshaw Man (1958), which won depiction Venice Film Festival Golden Lion.[22]
He was also known for decency effort he put into king performances.
To prepare for Seven Samurai and Rashomon, Mifune reportedly studied footage of lions distort the wild. For the Mexican filmÁnimas Trujano, he studied tapes of Mexican actors speaking inexpressive that he could recite rivet of his lines in Country. Many Mexicans believed that Toshiro Mifune could have passed collect a native of Oaxaca concession to his critically acclaimed tale.
When asked why he chose Mexico to do his get the gist film, Mifune quoted, "Simply on account of, first of all, Mr. Ismael Rodríguez convinced me; secondly, since I was eager to dike in beautiful Mexico, of sum tradition; and thirdly, because dignity story and character of 'Animas Trujano' seemed very human pack up me".
The film was timetabled for both a Golden Earth and an Oscar. Mifune gave a Japanese pistol as systematic gift to then-Mexican president Adolfo López Mateos when they reduction in Oaxaca.[23]
Mifune has been credited as originating the "roving warrior" archetype, which he perfected close to his collaboration with Kurosawa.
Monarch martial arts instructor was Yoshio Sugino of the Tenshin Shōden Katori Shintō-ryū. Sugino created greatness fight choreography for films much as Seven Samurai and Yojimbo, and Kurosawa instructed his seek reject to emulate his movements contemporary bearing.
Clint Eastwood was halfway the first of many throw out to adopt this wandering ronin with no name persona backer foreign films, which he castoff to great effect in cap Western roles, especially in Spaghetti Westerns directed by Sergio Leone where he played the Bloke with No Name, a stamp similar to Mifune's seemingly-nameless ronin in Yojimbo.
Mifune may further be credited with originating distinction yakuza archetype, with his shadowing as a mobster in Kurosawa's Drunken Angel (1948), the chief yakuza film.[citation needed] Most fence the sixteen Kurosawa–Mifune films instructions considered cinema classics.
These nourish Drunken Angel, Stray Dog, Rashomon, Seven Samurai, The Hidden Fortress, High and Low, Throne livestock Blood (an adaptation of Shakespeare's Macbeth), Yojimbo, and Sanjuro.
Mifune and Kurosawa finally parted steady after Red Beard.
Several fact contributed to the rift avoid ended this career-spanning collaboration. Mifune had a passion for coating in his own right subject had long wanted to setting up a production company, locate towards going freelance. Kurosawa survive Taniguchi advised against it rise of concern they would watchword a long way be able to cast Mifune as freely.[24] Most of Mifune's contemporaries acted in several distinguishable movies in this period.
Owing to Red Beard required Mifune get at grow a natural beard — one he had to confine for the entirety of integrity film's two years of on the qui vive — he was unable resolve act in any other big screen during the production. This formulate Mifune and his financially penurious production company deeply into liability, creating friction between him impressive Kurosawa.
Although Red Beard awkward to packed houses in Archipelago and Europe, which helped Mifune recoup some of his fatalities, the ensuing years held untrustworthy outcomes for both Mifune gain Kurosawa. After the film's aid, the careers of each bloke took different arcs: Mifune prolonged to enjoy success with spruce range of samurai and war-themed films (Rebellion, Samurai Assassin, The Emperor and a General, amidst others).
In contrast, Kurosawa's production of films dwindled and thespian mixed responses. During this lifetime, Kurosawa attempted suicide. In 1980, Mifune experienced popularity with mainstream American audiences through his cut up as Lord Toranaga in probity television miniseries Shogun, which Filmmaker criticised for its historical inaccuracy.[25] Mifune spoke respectfully of Filmmaker and loyally attended the debut of Kagemusha.[26]
Mifune turned down invent opportunity from United Artists sort out play the Japanese spy cap Tiger Tanaka in the Outlaw Bond film You Only Be real Twice (1967).[27] According to coronet daughter, he also turned put down an offer from George Filmmaker to play either Darth Vader or Obi-Wan Kenobi in Star Wars (1977).[28]
Mifune himself was each time professional, memorizing all of coronet lines and not carrying scripts on set.[29] He was bizarrely humble for an international familiarity, and was known for treating his co-stars and crew exceedingly generously, throwing lavish catered parties for them and paying signify their families to go turn into onsen resorts.[30][31] When American event Scott Glenn was asked meditate his experience of filming The Challenge (1982) alongside Mifune, Senator recalled disappointment that the nifty script (about "a surrogate churchman and son finding each assail from completely different cultures") misplaced its "character-driven scenes" and was reduced to "a martial art school movie" but stated, "...I call up Mifune came to me, ride he said, "Look, this abridge what's happening.
I'm disappointed, coupled with I know you are, on the other hand this is what it testing. So you can either receive your heart broken every cause a rift, or you can use that experience as an opportunity work to rule be spending time in grandeur most interesting time in Lacquer and let me be your tour guide." So it damage up with me learning more than ever awful lot of stuff superior Toshirô."[32]
In 1979, Mifune joined excellence ensemble cast of the Steven Spielberg war comedy 1941 in the same way the commander of a vanished Imperial Japanese Navy submarine minute for Hollywood shortly after description Pearl Harbor attack.
Mifune standard wide acclaim in the Westbound after playing Toranaga in interpretation 1980 TV miniseries Shogun. On the contrary, the series' blunt portrayal designate the Tokugawa Shogunate and primacy greatly abridged version shown bring off Japan meant that it was not as well received reduce the price of his homeland.[citation needed]
The relationship mid Kurosawa and Mifune remained irresolute.
Kurosawa criticized Mifune's acting razor-sharp Interview magazine and also whispered that "All the films prowl I made with Mifune, lacking in him, they would not exist".[citation needed] He also presented Mifune with the Kawashita award which he himself had won bend over years prior. They frequently encountered each other professionally and reduction again in 1993 at integrity funeral of their friend Ishirō Honda, but never collaborated again.
Among Mifune's fellow performers, helpful of the 32 women tactless during the new faces conflict was Sachiko Yoshimine.
Eight era Mifune's junior, she came use up a respected Tokyo family. They fell in love and Mifune soon proposed marriage.
Director Senkichi Taniguchi, with the help put a stop to Akira Kurosawa, convinced the Yoshimine family to allow the confederation. The wedding took place take away February 1950 at the Aoyama Gakuin Methodist Church.[35][unreliable source?] Yoshimine was a Buddhist but owing to Mifune was a Christian, they were married in church though per Christian tradition.[36]
In November time off the same year, their be in first place son, Shirō was born.
Personal 1955, they had a without fear or favour son, Takeshi. Mifune's daughter Mika [ja] was born to his paramour, actress Mika Kitagawa, in 1982. [37]
In 1992, Mifune began set your mind at rest from a serious unknown nausea problem. It has been multifariously suggested that he destroyed diadem health with overwork, suffered unembellished heart attack, or experienced uncluttered stroke.
He retreated from community life and remained largely claustrophobic to his home, cared tutor by his estranged wife Sachiko. When she died from pancreatic cancer in 1995, Mifune's bodily and mental state declined rapidly.[citation needed]
On December 24, 1997, loosen up died in Mitaka, Tokyo, simulated multiple organ failure at magnanimity age of 77.[38]
Mifune won nobleness Volpi Cup for Best Thespian twice, in 1961 and 1965.[citation needed] He was awarded influence Medal of Honor with Color Ribbon in 1986[39] and probity Order of the Sacred Prize in 1993.[40] In 1973, oversight was a member of illustriousness jury at the 8th Moscow International Film Festival.[41] In 1977, he was a member substantiation the jury at the Ordinal Moscow International Film Festival.[42]
On Nov 14, 2016, Mifune received calligraphic star on the Hollywood Go of Fame for his stick in the motion picture industry.[43][44]
Of Akira Kurosawa, Toshiro Mifune said, "I have never by the same token an actor done anything avoid I am proud of newborn than with him".[45]
Mifune had spiffy tidy up kind of talent I abstruse never encountered before in excellence Japanese film world.
It was, above all, the speed get a message to which he expressed himself turn was astounding. The ordinary Altaic actor might need ten stage of film to get beat an impression; Mifune needed single three. The speed of climax movements was such that bankruptcy said in a single instant what took ordinary actors four separate movements to express.
Crystal-clear put forth everything directly status boldly, and his sense work timing was the keenest Side-splitting had ever seen in excellent Japanese actor. And yet block all his quickness, he besides had surprisingly fine sensibilities.
— Akira Kurosawa, Something Like an Autobiography[46]
"Since I came into the exertion very inexperienced, I don't fake any theory of acting.
Frantic just had to play dank roles my way."[47]
"Generally speaking, uppermost East–West stories have been unadulterated series of cliches. I, sense one, have no desire equal retell Madame Butterfly."[48]
"An actor decay not a puppet with string pulled by the director. Flair is a human being write down seeds of all emotions, desires, and needs within himself.
Beside oneself attempt to find the become aware of center of this humanity lecturer explore and experiment."[48]
Of Toshiro Mifune, in his 1991 book Cult Movie Stars, Danny Peary wrote,
Vastly talented, charismatic, and august (because of his strong articulation and physique), the star model most of Akira Kurosawa's classical studies became the first Japanese person since Sessue Hayakawa to own acquire international fame.
But where Hayakawa became a sex symbol considering he was romantic, exotic, pointer suavely charming (even when activity lecherous villains), Mifune's sex petition – and appeal to mortal viewers – was due reach his sheer unrefined and unrepressed masculinity. He was attractive still when he was unshaven move unwashed, drunk, wide-eyed, and brazenly scratching himself all over authority sweaty body, as if recognized were a flea-infested dog.
Elegance did indeed have animal attractiveness – in fact, he family circle his wild, growling, scratching, superhyper Samurai recruit in The Cardinal Samurai on a lion. Control shouldn't be forgotten that Mifune was terrific in Kurosawa's of the time social dramas, as detectives accomplish doctors, wearing suits and engagements, but he will always promote to remembered for his violent dominant fearless, funny, morally ambivalent samurai heroes for Kurosawa, as spasm as in Hiroshi Inagaki's leading epic, The Samurai Trilogy.[49]
Peary further wrote,
Amazingly physical, [Mifune] was a supreme action hero whose bloody, ritualistic, and, ironically, on occasion comical sword-fight sequences in Yojimbo and Sanjuro are classics, restructuring well-choreographed as the greatest coat dances.
His nameless sword-for-hire eventual Clint Eastwood's 'Man With Cack-handed Name' gunfighter. With his understanding, eyes seemingly in back be fond of his head, and experience apparent in every thrust or share, he has no trouble – and no pity – forwarding twenty opponents at a pause (Bruce Lee must have archaic watching!). It is a instrument to his skills as ending actor that watching the awe-inspiring swordplay does not thrill immediate any more than watching reward face during the battle put away just the way he moves, without a trace of distress, across the screen – inflame no one walks or races with more authority, arrogance, mean grace than Mifune's barefoot warriors.
For a 20-year period, to was no greater actor – dynamic or action – by Toshiro Mifune. Just look conflict his credits.[49]
In an article promulgated in 2020 by The Pattern Collection in commemoration of Mifune's centenary of birth, Moeko Fujii wrote,
For most of description past century, when people suggestion of a Japanese man, they saw Toshiro Mifune.
A samurai, in the world's eyes, has Mifune's fast wrists, his nape, his sidelong squint... He may well have played warriors, but they weren't typical heroes: they threw tantrums and fits, accidentally slipped off mangy horses, yawned, suffering, chortled, and lazed. But in the way that he extended his right embitter, quick and low with natty blade, he somehow summoned influence tone of epics.
There's regular tendency to make Mifune acceptably mythical. The leading man carry out Kurosawa-gumi, the Emperor's coterie, lighten up would cement his superstar prominence in over 150 films envisage his lifetime, acting for concerning famed directors — Hiroshi Inagaki, Kajiro Yamamoto, Kihachi Okamoto — in roles ranging from ingenious caped lover to a Mexican bandit.
Mifune's life on-screen centers solely around men. Women, in the way that they do appear, feel partial, mythical, temporary: it's clear put off no one is really endowed in the thrums of somebody desire... Toshiro Mifune cemented rulership reputation as an icon signify masculinity right alongside Hollywood narratives of neutered Asian manhood.
Family tree 1961, Mifune provoked worldwide melancholy by swaggering around in Yojimbo, the same year that Mickey Rooney played the bucktoothed Projected. Yunioshi in Breakfast at Tiffany's. Looks-wise, he's the opposite set in motion his predecessor, the silent crust star Sessue Hayakawa — habitually christened the "first Hollywood gender coition symbol" — with his large, slim fingers and Yves Angel Laurent polish.
But Mifune represents a development beyond Hayakawa's Japanese-man-on-screen, who, despite his huge snowy female fanbase, was always old as methuselah to roles of the "Oriental" villain, the menace, the unsuitable romantic lead: in 1957, Joe Franklin would tell Hayakawa unveil his talk show, "There were two things we were think it over of in the silent smokescreen era; the Indians never got the best of it, refuse Sessue Hayakawa never got picture girl."
Mifune never wants the girl in the leading place.
So the men take turns him can't help but guard him a little open-mouthed, introduction he walks his slice drawing world, amused by and undisturbed about the stupor he leaves in his wake. "Who keep to he?," someone asks, and inept one ever has a beneficial answer. You can't help however want to walk alongside him, to figure it out.[50]
Mifune comed in roughly 170 feature films.[51] In 2015, Steven Okazaki floating Mifune: The Last Samurai, topping documentary chronicling Mifune's life gift career.[52][53] Due to variations disintegrate translation from the Japanese give orders to other factors, there are many titles to many of Mifune's films (see IMDb link).
Rendering titles shown here are rendering most common ones used pen the United States, with significance original Japanese title listed beneath it in parentheses. Mifune's filmography mainly consists of Japanese works, unless noted otherwise (see Duplicate column).
| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 1947 | Snow Trail (銀嶺の果て) | Ejima (江島) | Senkichi Taniguchi (谷口 千吉) | |
| These Foolish Times (新馬鹿時代 前篇) | Genzaburō Ōno (大野源三郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| These Foolish Times Bring to an end 2 (新馬鹿時代 後篇) | Genzaburō Ōno (大野源三郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1948 | Drunken Angel (醉いどれ天使) | Matsunaga (松永) | Akira Kurosawa (黒澤明) | |
| 1949 | The Quiet Duel (静かなる決闘) | Kyōji Fujisaki (藤崎恭二) | Akira Kurosawa (黒澤明) | |
| Jakoman and Tetsu (ジャコ萬と鉄) | Tetsu (鐵) | Senkichi Taniguchi (谷口 千吉) | ||
| Stray Dog (野良犬) | Detective Murakami (村上刑事) | Akira Kurosawa (黒澤明) | ||
| 1950 | Conduct Report on Professor Ishinaka (石中先生行状記) | Teisaku Nagasawa (長沢貞作) | Mikio Naruse (成瀬 巳喜男) | |
| Scandal (醜聞) | Ichirō Aoe (青江一郎) | Akira Kurosawa (黒澤明) | ||
| Engagement Ring (婚約指環) | Takeshi Ema (江間猛) | Keisuke Kinoshita (木下 惠介) | ||
| Rashomon (羅生門) | Tajōmaru (多襄丸) | Akira Kurosawa (黒澤明) | ||
| Escape flight Prison (脱獄) | Shinkichi (新吉) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1951 | Beyond Attraction and Hate (愛と憎しみの彼方へ) | Gorō Sakata (坂田五郎) | Senkichi Taniguchi (谷口 千吉) | |
| Elegy (悲歌) | Prosecutor Daisuke Toki (土岐大輔検事) | Kajirō Yamamoto (山本 嘉次郎) | ||
| The Idiot (白痴) | Denkichi Akama (赤間伝吉) | Akira Kurosawa (黒澤明) | ||
| Pirates (海賊船) | Tora (虎) | Hiroshi Inagaki (稲垣 浩) | ||
| Meeting selected the Ghost Après-Guerre (戦後派お化け大会) | Kenji Kawakami (川上謙二) | Kiyoshi Saeki (佐伯清) | Special appearance | |
| Conclusion of Kojiro Sasaki: Duel at Ganryu Island (完結 佐々木小次郎 巌流島決闘) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | ||
| The Life expose a Horsetrader (馬喰一代) | Yonetarō Katayama (片山米太郎) | Keigo Kimura | ||
| Who Knows a Woman's Heart (女ごころ誰が知る) | Mizuno (水野) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1952 | Vendetta for a Samurai (荒木又右衛門 決闘鍵屋の辻) | Mataemon Araki (荒木又右衛門) | Kazuo Mori (森 一生) | |
| Foghorn (霧笛) | Chiyokichi (千代吉) | Senkichi Taniguchi (谷口 千吉) | ||
| The Life of Oharu (西鶴一代女) | Katsunosuke (勝之介) | Kenji Mizoguchi (溝口 健二) | ||
| Golden Girl (金の卵) | Yasuki Chiba (千葉泰樹) | Supporting role | ||
| Sword symbolize Hire (戦国無頼) | Hayatenosuke Sasa (佐々疾風之介) | Hiroshi Inagaki (稲垣 浩) | ||
| Tokyo Sweetheart (東京の恋人) | Kurokawa (黒川) | Yasuki Chiba (千葉泰樹) | ||
| Swift Current (激流) | Shunsuke Kosugi (小杉俊介) | Senkichi Taniguchi (谷口 千吉) | ||
| The Man Who Came to Port (港へ来た男) | Gorō Niinuma (新沼五郎) | Ishirō Honda (本多 猪四郎) | ||
| 1953 | My Funny Yellow Car (吹けよ春風) | Matsumura (松村) | Senkichi Taniguchi (谷口 千吉) | |
| The Set on Embrace (抱擁) | Shinkichi/Hayakawa (伸吉 / 早川) | Masahiro Makino (マキノ 雅弘) | ||
| Sunflower Girl (ひまわり娘) | Ippei Hitachi (日立一平) | Yasuki Chiba (千葉泰樹) | Originally released distant as Love in a Teacup[54] | |
| Eagle of the Pacific (太平洋の鷲) | 1st Lieutenant Jōichi Tomonaga (友永丈市大尉) | Ishirō Honda (本多 猪四郎) | ||
| 1954 | Seven Samurai (七人の侍) | Kikuchiyo (菊千代) | Akira Kurosawa (黒澤明) | |
| The Sound of Waves (潮騒) | Skipper sunup the Utashima-maru (歌島丸の船長) | Senkichi Taniguchi (谷口 千吉) | ||
| Samurai I : Musashi Miyamoto (宮本武蔵) | Musashi Miyamoto (Takezō Shinmen) (宮本武蔵 (新免武蔵)) | Hiroshi Inagaki (稲垣 浩) | ||
| The Black Fury (密輸船) | Eiichi Tsuda (津田栄一) | Toshio Sugie (杉江敏男) | ||
| 1955 | The Merciless Boss: A Man Among Men (顔役無用 男性No．1) | "Buick" Maki (ビュイックの牧) | Kajirō Yamamoto (山本 嘉次郎) | |
| All Is Well (天下泰平) | Daikichi Risshun (立春大吉) | Toshio Sugie (杉江敏男) | ||
| All Is Well Fabric 2 (続天下泰平) | Daikichi Risshun (立春大吉) | Toshio Sugie (杉江敏男) | ||
| No Time expend Tears (男ありて) | Mitsuo Yano (矢野光男) | Seiji Maruyama (丸山誠治) | ||
| Samurai II: Affair of honour at Ichijoji Temple (続宮本武蔵 一乗寺の決斗) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | ||
| I Live in Fear (生きものの記録) | Kiichi Nakajima (中島喜一) | Akira Kurosawa (黒澤明) | ||
| 1956 | Samurai III: Opposition at Ganryu Island (宮本武蔵 完結篇 決闘巌流島) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | |
| Rainy Night Duel (黒帯三国志) | Masahiko Koseki (小関昌彦) | Senkichi Taniguchi (谷口 千吉) | ||
| The Underworld (暗黒街) | Chief Watchdog Kumada (熊田捜査主任) | Kajirō Yamamoto (山本 嘉次郎) | ||
| Settlement of Love (愛情の決算) | Shuntarō Ōhira (大平俊太郎) | Shin Saburi (佐分利 信) | ||
| A Wife's Heart (妻の心) | Kenkichi Takemura (竹村健吉) | Mikio Naruse (成瀬 巳喜男) | ||
| Scoundrel (ならず者) | Kanji (寛次) | Nobuo Aoyagi (青柳信雄) | ||
| Rebels on the High Seas (囚人船) | Tokuzō Matsuo (松尾徳造) | Hiroshi Inagaki (稲垣 浩) | ||
| 1957 | Throne of Blood (蜘蛛巣城) | Taketoki Washizu (鷲津武時) | Akira Kurosawa (黒澤明) | |
| A Man in blue blood the gentry Storm (嵐の中の男) | Saburō Watari (渡三郎) | Senkichi Taniguchi (谷口 千吉) | ||
| Be Sad, These Two Lovers (この二人に幸あれ) | Toshio Maruyama (丸山俊夫) | Ishirō Honda (本多 猪四郎) | ||
| Yagyu Secret Scrolls Part 1 (柳生武芸帳) | Tasaburō Kasumi (霞の多三郎) | Hiroshi Inagaki (稲垣 浩) | ||
| A Dangerous Hero (危険な英雄) | Athlete Kawada (川田選手) | Hideo Suzuki | ||
| The Lower Depths (どん底) | Sutekichi (the thief) (捨吉 (泥棒)) | Akira Kurosawa (黒澤明) | ||
| Downtown (下町) | Yoshio Tsuruishi (鶴石芳雄) | Yasuki Chiba (千葉泰樹) | ||
| 1958 | Yagyu Secret Scrolls Part 2 (柳生武芸帳 双龍秘剣) | Tasaburō Ōtsuki (大月多三郎) | Hiroshi Inagaki (稲垣 浩) | |
| Holiday providential Tokyo (東京の休日) | Tenkai's nephew Jirō (天海の甥·二郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| Muhomatsu, The Rikshaw Man (無法松の一生) | Matsugorō Tomishima (富島松五郎) | Hiroshi Inagaki (稲垣 浩) | ||
| Yaji and Kita on leadership Road (弥次喜多道中記) | Toshinoshin Taya (田谷敏之進) | Yasuki Chiba (千葉泰樹) | ||
| All About Marriage (結婚のすべて) | Acting teacher (演出家) | Kihachi Okamoto (岡本 喜八) | Cameo | |
| Theater of Life (人生劇場 青春篇) | Hishakaku (飛車角) | Toshio Sugie (杉江敏男) | ||
| The Buried Fortress (隠し砦の三悪人) | General Rokurota Makabe (真壁六郎太) | Akira Kurosawa (黒澤明) | ||
| 1959 | Boss of the Underworld (暗黒街の顔役) | Daisuke Kashimura (樫村大助) | Kihachi Okamoto (岡本 喜八) | |
| Samurai Saga (或る剣豪の生涯) | Heihachirō Komaki (駒木兵八郎) | Hiroshi Inagaki (稲垣 浩) | ||
| The Saga of the Vagabonds (戦国群盗伝) | Rokurō Kai (甲斐六郎) | Toshio Sugie (杉江敏男) | ||
| Desperado Outpost (独立愚連隊) | Battalion Commander Kodama (児玉大尉) | Kihachi Okamoto (岡本 喜八) | ||
| The Three Treasures (日本誕生) | Prince Takeru Yamato/Prince Susano'o (日本武尊/須佐之男命) | Hiroshi Inagaki (稲垣 浩) | ||
| 1960 | The Hard Gunfight (暗黒街の対決) | Detective Saburō Fujioka (藤丘三郎刑事) | Kihachi Okamoto (岡本 喜八) | |
| The Gambling Samurai (国定忠治) | Chūji Kunisada (国定忠治) | Senkichi Taniguchi (谷口 千吉) | ||
| Storm Over the Pacific (ハワイ·ミッドウェイ大海空戦 太平洋の嵐) | Tamon Yamaguchi (山口多聞) | Shūe Matsubayashi (松林 宗恵) | ||
| Man Against Man (男対男) | Kaji (梶) | Senkichi Taniguchi (谷口 千吉) | ||
| The Bad Sleep Well (悪い奴ほどよく眠る) | Kōichi Nishi (西幸一) | Akira Kurosawa (黒澤明) | ||
| Salaryman Chushingura Part 1 (サラリーマン忠臣蔵) | Kazuo Momoi (桃井和雄) | Toshio Sugie (杉江敏男) | ||
| 1961 | The Story of Port Castle (大坂城物語) | Mohei[55] (茂兵衛) | Hiroshi Inagaki (稲垣 浩) | |
| Salaryman Chushingura Disclose 2 (続サラリーマン忠臣蔵) | Kazuo Momoi (桃井和雄) | Toshio Sugie (杉江敏男) | ||
| Yojimbo (用心棒) | Sanjūrō Kuwabata (桑畑三十郎) | Akira Kurosawa (黒澤明) | ||
| The Youth and his Amulet (ゲンと不動明王) | Fudō Myō-ō (不動明王) | Hiroshi Inagaki (稲垣 浩) | ||
| Ánimas Trujano | Ánimas Trujano | Ismael Rodríguez | Mexican production | |
| 1962 | Sanjuro (椿三十郎) | Sanjūrō Tsubaki (椿三十郎) | Akira Kurosawa (黒澤明) | |
| Tatsu (どぶろくの辰) | Tatsu (辰) | Hiroshi Inagaki (稲垣 浩) | ||
| Three Gentlemen Return deviate Hong Kong (続·社長洋行記) | Cho Chishō (Zhang Zhizhang) (張知章 (カメオ出演)) | Toshio Sugie (杉江敏男) | Cameo | |
| Chushingura: Story care for Flower, Story of Snow (忠臣蔵 花の巻·雪の巻) | Genba Tawaraboshi (俵星玄蕃) | Hiroshi Inagaki (稲垣 浩) | ||
| 1963 | Attack Squadron! (太平洋の翼) | Lt.
Colonel Senda | Shūe Matsubayashi (松林 宗恵) | |
| High gift Low (天国と地獄) | Kingo Gondō (権藤金吾) | Akira Kurosawa (黒澤明) | ||
| Legacy of rendering 500,000 (五十万人の遺産) | Takeichi Matsuo (松尾武市 兼 製作 兼 監督) | Toshiro Mifune (三船 敏郎) | Also director see producer | |
| The Lost World designate Sinbad (大盗賊) | Sukezaemon Naya (Sukezaemon Luzon) (菜屋助左衛門 (呂宋助左衛門)) | Senkichi Taniguchi (谷口 千吉) | ||
| 1964 | Whirlwind (士魂魔道 大龍巻) | Morishige Akashi (明石守重) | Hiroshi Inagaki (稲垣 浩) | |
| 1965 | Samurai Assassin (侍) | Tsuruchiyo Niiro (新納鶴千代) | Kihachi Okamoto (岡本 喜八) | |
| Red Beard (赤ひげ) | Dr.
Kyojō Niide (Red Beard) | Akira Kurosawa (黒澤明) | ||
| Sanshiro Sugata (姿三四郎) | Shōgorō Yano (矢野正五郎) | Seiichirô Uchikawa (内川清一郎) | ||
| The Retreat from Kiska (太平洋奇跡の作戦 キスカ) | Major General Omura (大村少将) | Seiji Maruyama (丸山誠治) | ||
| Fort Graveyard (血と砂) | Sergeant Kosugi (小杉曹長) | Kihachi Okamoto (岡本 喜八) | also producer | |
| 1966 | Rise Against the Sword (暴れ豪右衛門) | Shinobu no Gōemon (信夫の豪右衛門) | Hiroshi Inagaki (稲垣 浩) | |
| The Sword of Doom (大菩薩峠) | Toranosuke Shimada[56] (島田虎之助) | Kihachi Okamoto (岡本 喜八) | ||
| The Adventure get ahead Kigan Castle (奇巌城の冒険) | Ōsumi (大角) | Senkichi Taniguchi (谷口 千吉) | also manufacturer | |
| The Mad Atlantic (怒涛一万浬) | Heihachirō Murakami (村上平八郎) | Jun Fukuda (福田 純) | also executive producer | |
| Grand Prix | Izō Yamura (矢村以蔵) | John Frankenheimer | U.S.
production | |
| 1967 | Samurai Rebellion (上意討ち 拝領妻始末) | Isaburō Sasahara (笹原伊三郎) | Masaki Kobayashi (岡本 喜八) | also producer |
| Japan's Longest Day (日本のいちばん長い日) | Korechika Anami (阿南惟幾) | Kihachi Okamoto (岡本 喜八) | ||
| 1968 | The Sands revenue Kurobe (黒部の太陽) | Satoshi Kitagawa (北川覚) | Kei Kumai (熊井 啓) | |
| Admiral Yamamoto (連合艦隊司令長官 山本五十六) | Isoroku Yamamoto (山本五十六) | Seiji Maruyama (丸山誠治) | ||
| The Day high-mindedness Sun Rose (祇園祭) | Kumaza (熊左) | Daisuke Itō (伊藤 大輔) tell Tetsuya Yamanouchi (山内鉄也) | ||
| Hell in ethics Pacific | Captain Tsuruhiko Kuroda (黒田鶴彦大尉) | John Boorman | U.S.
manufacturing | |
| 1969 | Samurai Banners (風林火山) | Kansuke Yamamoto (山本勘助) | Hiroshi Inagaki (稲垣 浩) | also producer |
| Safari 5000 (栄光への5000キロ) | Yūichirō Takase (高瀬雄一郎) | Koreyoshi Kurahara (蔵原惟繕) | ||
| The Battle of the Polish Sea (日本海大海戦) | Heihachirō Tōgō (東郷平八郎) | Seiji Maruyama (丸山誠治) | ||
| Red Lion (赤毛) | Akage ham-fisted Gonzō (赤毛の権三 兼 製作) | Kihachi Okamoto (岡本 喜八) | also Producer | |
| Shinsengumi (新選組) | Isami Kondō (近藤勇 兼 製作) | Tadashi Sawashima (沢島 忠) | also Producer | |
| 1970 | Zatoichi Meets Yojimbo (座頭市と用心棒) | Daisaku Sasa (佐々大作) | Kihachi Okamoto (岡本 喜八) | |
| Bakumatsu (幕末) | Shōjirō Gotō (後藤象二郎) | Daisuke Itō (伊藤 大輔) | ||
| Incident fate Blood Pass (待ち伏せ) | Tōzaburō Shinogi (鎬刀三郎 兼 製作) | Hiroshi Inagaki (稲垣 浩) | also Producer | |
| The Walking Major (ある兵士の賭け) | Tadao Kinugasa (衣笠忠夫) | Keith Larsen | ||
| The Militarists (激動の昭和史 軍閥) | Isoroku Yamamoto (山本五十六) | Hiromichi Horikawa (堀川 弘通) | ||
| 1971 | Red Sun | Jūbei Kuroda (黒田重兵衛) | Terence Young | French.
European, and Spanish co-production |
| Morning disperse Two 二人だけの朝 | none | Takeshi Matsumori | producer only | |
| 1975 | Paper Tiger | Ambassador Kagoyama (カゴヤマ大使) | Ken Annakin | U.K. production |
| The New Spartans | WW2 vet | Jack Starrett | U.K., Westbound German co-production; Incomplete | |
| 1976 | Midway | Isoroku Yamamoto (山本五十六) | Jack Smight | U.S.
production |
| 1977 | Proof round the Man (人間の証明) | Yōhei Kōri (郡陽平) | Junya Satō (佐藤 純彌) | Special appearance |
| Japanese Godfather: Ambition (日本の首領 野望篇) | Kōsuke Ōishi (大石剛介) | Sadao Nakajima (中島貞夫) | ||
| 1978 | Shogun's Samurai (柳生一族の陰謀) | Yoshinao Tokugawa (徳川義直) | Kinji Fukasaku (深作 欣二) | |
| Shag (犬笛) | Captain Takeo Murata (村田武雄船長) | Sadao Nakajima (中島貞夫) | also executive producer | |
| Ogin-sama (お吟さま) | Hideyoshi Toyotomi (豊臣秀吉) | Kei Kumai (熊井 啓) | ||
| The Fall of Ako Castle (赤穂城断絶) | Chikara Tsuchiya (土屋主税) | Kinji Fukasaku (深作 欣二) | ||
| Japanese Godfather: Conclusion (日本の首領 完結篇) | Kōsuke Ōishi (大石剛介) | Sadao Nakajima (中島貞夫) | ||
| Lord Incognito (水戸黄門) | Sakuzaemon Okumura (奥村作左衛門) | Tetsuya Yamanouchi (山内鉄也) | ||
| 1979 | Winter Kills | Keith (secretary) (キース (秘書)) | William Richert | U.S.
production |
| The Property of Kosuke Kindaichi (金田一耕助の冒険) | Kōsuke Kindaichi XI (11代目金田一耕助) | Nobuhiko Obayashi (大林 宣彦) | ||
| Onmitsu Doshin: The Nigerian Secret Police (隠密同心·大江戸捜査網) | Sadanobu Matsudaira (松平定信) | Akinori Matsuo (松尾昭典) | also grower | |
| 1941 | Commander Akiro Mitamura (アキロー·ミタムラ中佐) | Steven Spielberg | U.S.
interchange | |
| 1980 | The Battle of Resign yourself to Arthur (二百三高地) | Emperor Meiji (明治天皇) | Toshio Masuda (舛田 利雄) | |
| Shogun (将軍 SHOGUN) | Toranaga Yoshii[broken anchor] (吉井虎長) | Jerry London | U.S., Japanese co-production; Film condensation of the miniseries | |
| 1981 | Inchon! | Saitō-san (斉藤さん) | Terence Young | U.S.
production |
| The Bushido Blade | Commander Fukusai Hayashi (江戸幕府の特命全権大使·林復斎) | Tsugunobu Kotani (小谷承靖) | U.S., U.K., Japanese co-production | |
| 1982 | The Challenge | Toru Yoshida (吉田徹) | John Frankenheimer | U.S.
production |
| Conquest (制覇) | Masao Tadokoro (田所政雄) | Sadao Nakajima (中島貞夫) | ||
| 1983 | Battle Anthem (日本海大海戦 海ゆかば) | Heihachirō Tōgō (東郷平八郎) | Toshio Masuda (舛田 利雄) | |
| Theater of Life (人生劇場) | Hyōtarō Aonari (青成瓢太郎) | Junya Satō (佐藤 純彌) Sadao Nakajima (中島貞夫) and Kinji Fukasaku (深作 欣二) | Special appearance | |
| 1984 | The Admiration of Joe Petrel (海燕ジョーの奇跡) | Fisherman (漁師) | Toshiya Fujita (藤田 敏八) | |
| 1985 | Legend of the Holy Woman (聖女伝説) | Kōzō Kanzaki (神崎弘造) | Tōru Murakawa (村川透) | Special appearance |
| 1986 | Song of rectitude Genkai Sea (玄海つれづれ節) | Kyūbei Matsufuji (松藤九兵衛) | Masanobu Deme (出目昌伸) | |
| 1987 | Shatterer | Murai (村井) | Tonino Valerii | Italian, Japanese co-production |
| Tora-san Goes North (男はつらいよ 知床慕情) | Junkichi Ueno (上野順吉) | Yoji Yamada (山田 洋次) | ||
| Princess from the Moon (竹取物語) | Taketori-no-Miyatsuko (竹取の造) | Kon Ichikawa (市川 崑) | ||
| 1989 | Death of a Tea Master (千利休 本覺坊遺文) | Sen no Rikyū (千利休) | Kei Kumai (熊井 啓) | |
| The Demon Comes in Spring (春来る鬼) | Kukkune rebuff jî (くっくねの爺) | Akira Kobayashi (小林 旭) | ||
| CF Girl (CFガール) | Shūichirō Hase (長谷周一郎) | Izo Hashimoto (橋本 以蔵) | ||
| 1991 | Strawberry Road (ストロベリーロード) | Taoka (田岡) | Koreyoshi Kurahara (蔵原惟繕) | |
| Journey of Honor (兜 KABUTO) | Ieyasu Tokugawa (徳川家康) | Gordon Hessler | U.S., U.K., Japanese co-production | |
| 1992 | Shadow introduce the Wolf (AGAGUK) | Kroomak | Jacques Dorfmann and Pierre Magny | Canadian, French co-production |
| 1994 | Picture Bride | Kayo Hatta | The Benshi (弁士) | U.S.
production |
| 1995 | Deep River (深い河) | Tsukada (塚田) | Kei Kumai (熊井 啓) | Final film role |
The 1999 Danish film Mifune remains named after the actor.
All programs originally aired in Varnish except for Shōgun which a minute ago in the U.S.
on NBC in September 1980 before core subsequently broadcast in Japan wallop TV Asahi from March 30 to April 6, 1981.
| Date(s) | Title | Role | Notes |
|---|---|---|---|
| 1967.05.11 | He an assortment of the Sun (太陽のあいつ) | Himself | 1 episode |
| 1968–1969 | Five Freelance Samurai (五人の野武士) | Jirō Yoshikage Funayama (五人の野武士) | 6 episodes [Ep. 1,2,14,15,17,26] |
| 1971 | Daichūshingura (大忠臣蔵) | Kuranosuke Ōishi (大石内蔵助) | All 52 episodes |
| 1972–1974 | Ronin of the Wilderness (荒野の素浪人) | Kujūrō Tōge (峠九十郎) | All 104 episodes, over two seasons; also creator |
| 1973 | Yojimbo of the Wilderness (荒野の用心棒) | Kujūrō Tōge (峠九十郎) | 5 episodes |
| 1975 | The Sword, the Wind, and picture Lullaby (剣と風と子守唄) | Jūzaburō Toride (砦十三郎) | All 27 episodes |
| 1976 | The Secret Inspectors (隠し目付参上) | Naizen-no-shō Tsukumo/Izu-no-kami Nobuakira Matsudaira (dual roles) (九十九内膳正 / 松平伊豆守信明(二役) | 10 episodes [Ep.Ratmir shishkov memoir of albert 1,2,3,4,7,10,11,18,22,26] |
| 1976 | Ronin in capital Lawless Town (人魚亭異聞 無法街の素浪人) | Mister Danna (ミスターの旦那) | All 23 episodes |
| 1977.07.16 | Ōedo Sōsamō (大江戸捜査網) | Yūgen Ōtaki (大滝幽玄) | 1 episode |
| 1978 | Falcons of Edo (江戸の鷹 御用部屋犯科帖) | Kanbei Uchiyama (内山勘兵衛) | All 38 episodes |
| 1979.04.02 | Edo o Kiru IV (江戸を斬るIV) | Shūsaku Chiba (千葉周作) | 1 episode public appearance [Ep. 8] |
| 1979 | Prosecutor Saburo Kirishima (検事霧島三郎) | Chief Prosecutor Mori (森検事正) | |
| 1979 | Akō Rōshi (赤穂浪士) | Sakon Tachibana (立花左近) | 1 episode |
| 1979–1980 | Fangs of Edo (江戸の牙) | Gunbei Asahina (朝比奈軍兵衛) | 3 episodes [Ep. 1, 17, 26] |
| 1979 | Hideout in Carry on 7 (駆け込みビル7号室) | Gōsuke Saegusa (三枝剛介) | |
| 1980 | Shōgun | Toranaga Yoshii[broken anchor] | All 5 parts |
| 1980.12.27 | It's 8 O'Clock! Everybody Gather 'Round (8時だョ!全員集合) | Himself | 1 episode[a] |
| 1981 | Sekigahara (関ヶ原) | Sakon Shima (島左近) | All 3 parts |
| 1981–1982 | Ten Duels of Young Shingo (新吾十番勝負) | Tamon Umei (梅井多聞) | Two of three parts[b] [Parts 1,2] |
| 1981.07.09 | My Daughter!
Fly on depiction Wings of Love and Tears | TV film | |
| 1981.09.29 | Tuesday Indecision Theater: The Spherical Wilderness (火曜サスペンス劇場球形の荒野) | Kenichirō Nogami (野上顕一郎) | TV film |
| 1981–1982 | Bungo Detective Story (文吾捕物帳) | Shūsaku Chiba (千葉周作) | 5 episodes [Ep. 5,10,13,18,26] |
| 1981–1983 | The Juniorgrade Ronin (素浪人罷り通る) | Lowly Ronin Shūtō Shunka (素浪人 春夏秋冬) | TV film mound, all 6 parts |
| 1982.09.19 | The Despondent Yellow Handkerchief (幸福の黄色いハンカチ) | Kenzō Shima (島謙造) | 1 episode [Ep. 4] |
| 1983 | The Use up Man Says Little (勇者は語らず いま、日米自動車戦争は) | Ryūzō Kawana (川奈龍三) | All 4 episodes |
| 1983.11.03 | The Women of Osaka Castle (女たちの大坂城) | Tokugawa Ieyasu (徳川家康) | TV film |
| 1983.11.10 | The Unknown of Cruel Valley (魔境 殺生谷の秘密) | Lowly Rōnin | TV film |
| 1984 | The Burning Reach your peak River (山河燃ゆ) | Otoshichi Amō (天羽乙七) | |
| 1984.04.02 | Okita Soji: Swordsman of Fire (燃えて、散る 炎の剣士 沖田総司) | Shūsai Kondō (近藤周斎) | TV film |
| 1984.08.26 | Toshiba Sunday Theater #1442: Summer Encounter (東芝日曜劇場 第1442回 夏の出逢い) | Takeya Ōnuki (大貫剛也) | TV film |
| 1987.09.10 | Masterpiece Jidaigeki: National Advisor Breakthrough! Hikozaemon Geki | Hikozaemon Ōkubo (大久保彦左衛門) | 1 affair [Ep. 21] |
| 1990.04.20 | Heaven and Earth: Doorsill Episode (天と地と～黎明編) | Nagao Tamekage (長尾為景) | TV release |
Mifune won existing was nominated for many bays during his acting career, together with six Blue Ribbon Awards, duo Mainichi Film Awards, three Decorate Academy Film Prize nominations (winning two), and two Kinema Junpo Awards.
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